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Nikon ZR: The Smallest Full-Frame Cinema Camera in the Z CINEMA Line

Nikon has officially unveiled the Nikon ZR, the newest addition to its Z CINEMA series and the company’s smallest full-frame cinema camera to date. Announced in Tokyo, this release highlights Nikon’s growing collaboration with RED Digital Cinema, a subsidiary of the company, bringing together the expertise of two giants in imaging technology. As we look at the details, it’s clear the Nikon ZR is designed to revolutionize filmmaking for professionals and creators alike.

A Compact Powerhouse

At just around 540 grams, the Nikon ZR is the lightest model in the Z CINEMA lineup, yet it packs features that rival bulkier cinema systems. We see Nikon positioning this as a flexible solution for high-end productions, indie filmmakers, and even mobile creators who demand uncompromising image quality without carrying a heavy rig.

Its short 16 mm flange focal distance—shortest among full-frame cameras—also allows filmmakers to adapt a wide variety of lenses, giving the Nikon ZR versatility on par with much larger setups.

RED Technology at the Core

One of the standout aspects of the Nikon ZR is its integration of RED’s acclaimed technology. It debuts the R3D NE codec, a Nikon-exclusive version of RED’s RAW recording format, ensuring accurate color science and exposure standards that match RED cameras. This means productions can seamlessly combine the Nikon ZR with RED systems while maintaining consistency in cinematic color and tone.

We see this as a significant step for Nikon, aligning its brand more closely with cinema-grade standards that appeal to professionals working across multi-camera productions.

Unmatched Video and Audio

The Nikon ZR supports internal 6K/59.94p recording and 4K/119.88p options, combined with 15+ stops of dynamic range and dual base ISOs at 800 and 6400. These specs make it a powerful tool for handling both low-light environments and high-contrast scenes.

Equally groundbreaking is its audio capability. The Nikon ZR becomes the world’s first camera to support 32-bit float audio recording with both built-in and external microphones. Combined with Nokia’s OZO Audio system, users can select from five pickup patterns for maximum flexibility, ranging from interviews to immersive ASMR.

For us as creators, this level of integrated audio quality reduces the need for external gear, streamlining production while maintaining professional sound.

Designed for Modern Workflows

In today’s fast-paced production environment, efficiency matters as much as image quality. The Nikon ZR offers LUT monitoring, cloud transfer via Frame.io Camera to Cloud, and nine RED-curated cinematic Imaging Recipes available through Nikon Imaging Cloud. This ecosystem makes it easier than ever to preview, grade, and share footage on the go.

We also see Nikon’s inclusion of deep-learning AI autofocus as another game-changer, ensuring accurate subject detection for both people and objects, even in challenging scenarios.

Built for Professionals, Accessible for Creators

Despite its advanced specifications, the Nikon ZR is designed to be approachable. Its 4.0-inch high-resolution monitor allows clear framing without an external display, while the fanless design enables extended shooting sessions without overheating. These thoughtful details underline Nikon’s intent to make the Nikon ZR both professional-grade and practical for everyday use.

Moreover, Nikon introduced a new digital accessory shoe, offering two-way communication with microphones and tally lamps, which expands creative possibilities. This shows how Nikon is creating a platform rather than just a standalone camera.

Nikon’s Vision with RED

The release of the Nikon ZR also coincides with RED’s launch of the V-RAPTOR XE, further proof of the synergy between the two brands. Together, they’re shaping a new ecosystem of cinema tools that span from large-scale productions to solo creators.

We believe this collaboration signals Nikon’s intent to grow deeper roots in professional video, ensuring the Nikon ZR is not just a one-off innovation but part of a long-term strategy in cinema imaging.

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